影片讲四个同住一间宿舍的女大学生，都是学习表演的学生，她们的作业是学习一部名叫《双重不忠》的剧本，结果剧中情节对她们的真实生活产生奇妙的影响，尤其是她们如何处理爱情、性欲、信任、背叛、犯罪、艺术等人生课题。

让和莎拉已经同居10年了，他们初次相遇时，萨拉和弗朗索瓦住在一起。弗朗索瓦是让最好的朋友，也是让之前打职业橄榄球时的仰慕者。让和萨拉是相爱的，一天，萨拉在街上看到弗朗索瓦。他没有注意到她，但她强烈感觉到自己的生活可能突然改变。弗朗索瓦与让多年来第一次重新取得联系，他建议两人再次一起工作，从此，一切都失控了。

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude...

此为电视电影，改编自2014年同名舞台剧，同导演同主演，故事源自法国十八世纪喜剧大师马里沃的同名作品，此为现代改编版。

剧情简介： 客人们来到塞内夏尔家参加晚宴，却发现晚宴要在明晚才举行。他们只好去一家小酒馆，但计划再次受挫，因为小酒馆正在为他们刚去世的店主守灵。另一次聚餐也由于塞内夏尔夫妇偷偷从家里溜出去亲热而临时取消；来客们却误以为警察要发动袭击，赶紧溜之大吉。接下来的一次晚宴也被迫中断，因为拉练的部队出人意料地出现在塞内夏尔公馆。甚至噩梦也为他们要举办晚宴这一受挫的努力提供佐料：他们兴致勃勃入席，却莫名其妙发现身边的帷幕突然拉起，他们成了坐在舞台上用餐的表演者。还有一次，陆军上校当着唐·拉斐尔大使的面污辱了所谓的米兰达共和国，险些酿成外交灾祸，当然更不必提那晚的聚餐了。就这样，影片中的六个人物（包括塞内夏尔夫妇、唐·拉斐尔大使）不断地坐下来用餐，却总是出现意想不到的障碍，使他们吃不成。

Eric (Corin Redgrave) is a novelist whose imagination is unusually powerful. While exploring a run-down mansion in the French countryside, looking for sites for his stories, he meets a girl dressed in clothes from another time. Returning to the site, he encounters a modern woman who says he probably met a ghost. He is fascinated by the situation which cannot be what it seems.

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

影片讲一个自称恐怖分子的团伙，是由社会中上层人士组成的，他们的反社会行为替政府的镇压提供了依据。在这部影片中，暴力不仅作为一种反抗社会的武器是无效力的，而且它实质上已为社会所同化。正像影片中一位警官所说“我最近做了个梦……梦见资本家捏造出恐怖主义是为了迫使政府更好地保护他们。”影片的内容十分荒诞、角色的性格带有神经质而且颓废。

玛丽( Bulle Ogier )在巴黎的街道上不真实地行走，一个被判抢劫银行的女人刚刚出狱，就遇到了一个需要陪伴的年轻偏执狂Baptiste ( Pascale Ogier )，两人在一起呆了一会儿。